Susan Sontag, On Photography
To photograph is to appropriate the thing photographed. It means putting oneself into a certain relation to the world that feels like knowledge – and therefore, like power.
As photographs give people an imaginary possession of a past that is unreal, they also help people to take possession of space in which they are insecure.
…dependence on the camera, as the device that makes real what one is experiencing….
Travel becomes a strategy for accumulating photographs. Most tourists feel compelled to put the camera between themselves and whatever is remarkable that they encounter. Unsure of other responses, they take a picture. This gives shape to an experience: stop, take a photograph, and move on.
Jose Van Dijck, Mediated Memories in the Digital Age
Whereas their parents invested considerable time and effort in building up material collections of pictures for future reference, youngsters appear to take less interest in sharing photographs as objects than as sharing them as experiences. [p.114]
Digital photography is part of this larger transformation in which the self becomes the center of a virtual universe made up of informational and spatial flows, individuals articulate their identity as social beings not only by taking and storing photographs to document their lives but also by by participating in communal photographic exchanges that mark their identity as interactive producers and consumers of culture.
From the above observations it is tempting to draw the conclusion that digital cameras are moving away from their prime functions as memory tools, instead becoming tools for identity formation, communication, and experience. If photographs were always a medium for remembering scenes and objects from the past, digital cameras particularly encourage users to imagine and invent the present.[p.116]
Sherry Turkle, Alone Together
Gradually we come to see our online life as life itself. We come to see what robots offer as relationship. the simplification of relationship is no longer a source of compliant. It becomes what we want. Technology reshapes the landscape of our emotional lives, but is it offering us the lives we want to lead? [p.17]
Arms held high; cell phone glint in the sun. People are taking pictures of themselves, of strangers, of friends…The event is a celebration of physical presence, but the crowd reaches out to those who are absent. It is important to have images of the day on one’s own phone. And it is important to send them along. A photo from the inauguration, or a text, a posting, an email, a Tweet – all validate the sense of being there. It used to be that taking a photograph marked participation…But these days, the photograph is not enough. Sending implies being….We are pressed into the service of technologies of remembrance and validation. [p.302]
Sarah Kember & Joanna Zylinska, Life After New Media
Our argument is that events are never merely presented and represented in the media, and that any such representations are always to an extent performative. [xvi]
If indeed to live is to be photographed, then contrary to its more typical association with the passage of time and death, photography can be understood more productively in terms of vitality, as a process of differentiation and life-making. [p.72]
..if we are to think about photography in terms of mediation – whereby mediation stands for the differentiation of, as well as the connection between, media and, more broadly, for the acts and processes of producing and temporarily stabilizing the world into media , agents and relations, and networks – we need to see the ontology of photography as predominantly that of becoming.[p.79]