Migration & Mobiles

Disturbing but not unexpected narratives are circulating about migrants and refugees traveling to Europe, centered on nationalist fears, job losses and worst of all – skepticism about the severity of refugee plights. Some narratives find expression in social media memes circulating on Twitter and Facebook like this one…

Australian Body builder not refugees

Vice.com

Props to writer Philip Kleinfeld and Vice.com for exposing the paranoid bullshit content of these memes – which are often blatantly falsified.  The image above has nothing to do with European refugees, in fact it were taken in 2013 on Christmas Island in Australia.

Some narratives have centered on the crippled logic that smartphones are a sign of prosperity and are in conflict with refugee life. While the veracity of memes cannot be trusted, the content of these narratives – specifically the relationship between people and technology and what this signifies – are still incredibly interesting to analyse, succinctly done by the blog Everyday Analysis:

Migration Meme

The horrible meme makes out that fleeing a war zone and the traumas associated with that is not enough to deserve our sympathy if you have a Samsung phone. Possess a symbol of capitalist success and modernity, manage a smile of relief and, in our unforgiving political climate, a traumatised refugee is be deemed a fraud….in the eyes of the British right, why should a refugee not have a mobile phone? …why should a refugee not take a selfie?

In the end this meme shows us three things. First, it quite simply and obviously shows how much hateful fascism there is in our society. Second, it shows how these structures are still supported by a colonial ideology that sees the passage to modernity as the natural course of events and does not want to admit that this trauma and devastation is a modern problem that our own brand of modernity is responsible for. Third, it warns us of the danger of our preconceptions and expectations when it comes to refugees and shows us how deeply ingrained in right wing ideology some of our assumptions may be.

everyday analysis See the full feature on Everyday Analysis.

Producing Desire

Selfie at Oscars 2014

Above is the most reTweeted image in history, taken at the 2014 Oscars and indirectly conceptualised by Samsung (without the caption).  This is marketing masquerading as “incidental” selfie.  Have we just witnessed  the Samsung Galaxy affect? The passage below is a brilliant piece from Australian cultural theorist Claire Colebrook titled The Death of the PostHuman: Essays on Extinction, Volume One, that offers come commentary on this…

We are suffering, today—here and now—from hyper-hypo-affective disorder. We appear to be consuming nothing other than affects; even the supposed material needs of life—food, sex, sociality—are now marketed affectively. Branding relies on irrational attachments or ‘lovemarks,’ while politics trades in terror and resentment. Affects themselves are marketed: one can purchase games of horror or disgust, and even the purchase of a cup of coffee is perhaps undertaken less for the sake of the caffeine stimulant and more for the Starbucks affect. This is what led Michael Hardt to theorize a new era of affective labor. But this over-consumption and boom of marketable affects is accompanied by affect fatigue, as though there were an inverse relation between the wider and wider extension of affective influx and the ever-diminishing intensity of affect. It is not surprising then that cultural diagnoses of the present observe two seemingly incompatible catastrophic tendencies: a loss of cognitive or analytic apparatuses in the face of a culture of affective immediacy, and yet a certain deadening of the human organism (ranging from Walter Benjamin’s observation of an absence of experience in an information age to Fredric Jameson’s claim for a ‘waning of affect’ in a world of over-stimulation, in which there is no longer a distinction between experiencing subject and external object, no other person, for whom one might feel empathy).